Tuesday, August 5, 2025

The Great Escape from Children Church

If you’ve ever been to Christ the Lord Cathedral Camp in Igboora, you’ll understand why my friends and I did what we did. Picture a place deep in the bush of Oyo State—dry ground, scattered trees, and flies that fly like they’re on a mission. The camp itself was huge, with over 10,000 children packed under one wide white canopy with a low wooden fence. Honestly, the fence was just for decoration—any goat or determined child could cross it without stress.

Every morning, like clockwork, we were marched into Children Church like sheep heading to judgment. The program started with loud singing and clapping, and then moved into long talks from aunties and uncles who acted like they were preaching to grown-ups. Nothing made sense to us. We just sat, counted ceiling holes, and waited for the next round of boredom.

Well, not all parts were boring. We lived for the Children Choir Concert, where some kids wore white gloves and danced like angels on stage. We screamed during Sword Drill—that Bible race game that made us feel like champions. Catch the Fish game was our Olympics. And praise and worship? That was our own disco.

But the rest? Torture.

So one Sunday, I gave my friends The Look. You know that look of rebellion that says “Today, we break free!”

There was me, Tope, Chika, Amaka, and Daniel—all aged between 8 and 10. Small in size, big in plans. We were seated in the middle row under the canopy, surrounded by hundreds of sweaty children and several fat, no-nonsense female children leaders who guarded the entrance like angels with plastic chairs instead of swords. These women did not smile. Their eyes could detect mischief from one kilometre away.

We waited for the perfect moment—when one of the leaders stood to adjust her wrapper and another got distracted shouting, “Sit properly! You there! I’m talking to you!”

That was our chance.

One by one, we slid under the wooden fence like soldiers on a secret mission. We ran behind the canopy, dodging low tree branches, and slipped into the bush. The ground was dusty, and my slippers got stuck in a thorny plant, but I didn’t care. We ran like antelopes escaping lion.

Now, the hostel was another beast. The main entrance had two mean hostel aunties who were always holding big wooden keys and speaking with thunder in their voice. If they caught you, they would report you to every adult on camp and still scold your soul.

So we used the window.πŸ‘…πŸ‘…πŸ‘…πŸ‘…πŸ‘…

Our hostel was in an uncompleted building at the edge of the camp. There were no louvres on the windows, just iron bars and enough space to squeeze our tiny bodies through. Tope went first, then Amaka, then me. I scraped my elbow, but freedom has a price.

Once inside, we whispered like spies, giggled like hyenas, and dove under bunks like action movie stars whenever we heard footsteps. We ate cabin biscuits we had hidden in our pillowcases. We told jokes. We braided each other’s hair. We even gave ourselves code names like Agent Jollof and Commander Cabin.
It wasn’t about the escape anymore—it was the friendship. The laughter. The thrill of doing something bold.

And speaking of jollof…

Let me tell you - the best part of that camp was not the worship. Not even the choir. It was jollof rice day. We usually ate beans that tasted like charcoal, yam that could injure your teeth, and eba that looked like punishment. But when they brought that steaming jollof rice—with meat the size of a baby's thumb—ah! It felt like love. The tomato smell, the soft grains, the little meat glistening on top like a diamond in red sand. That was our gospel.

Now, was our escape the right thing to do?
No.

Did we learn any Bible verse that day?
Absolutely not!

But did we bond? Did we laugh till our stomach hurt? Did we create a memory that still makes me smile years later?
Yes.πŸ’‹

Would I do it again if I had the chance?
Without blinking.πŸ˜πŸ‘…πŸ‘…πŸ‘…πŸ‘…

🀣Just don’t tell Aunty Florence. She’s still searching for the five missing children from Children Church that Sunday. πŸ˜‡

Sunday, March 2, 2025

Crafting Killer Transactional Writing: Unleash Your Inner Author, Mate!


Alright, listen up, you wonderful lot! Transactional writing might sound like something dull your teacher drones on about while you're dreaming of TikTok fame, but trust me, mastering it is essential, whether you're acing your exams, applying for uni, or even just convincing your parents that you deserve a later curfew.  

The key? Elevating it from plain-old information dumps to something engaging. And how do we do that? By sneaking in some sneaky literary devices! GCSE and A-Level English teachers would be proud! 

What Is Transactional Writing Anyway? 

Before we dive in, let’s get on the same page. Transactional writing is all about getting something done. It’s about informing, persuading, instructing, or advising. Think essays, reports, letters, reviews, articles – anything where your primary goal is to communicate information effectively and achieve a specific purpose. Why Bother with Literary Devices? Isn't it Supposed to be 'Just the Facts'? Good question! 
Simply put, literary devices make your writing more: 
  • Engaging: They grab the reader’s attention and keep them hooked. 
  • Memorable: Well-crafted prose sticks in the mind. 
  • Persuasive: Subtle techniques can sway your reader's opinion without them even realising! 
  • Readable: Even the most complex subject matter can become more accessible when presented in a more engaging way. 

Let's look at the key ingredients to spice up your transactional writing. 

Level Up Your Writing: Literary Devices 101 

Here are a few literary devices you can sprinkle into your transactional writing to add that extra oomph: 
  • Anecdotes: Short, personal stories to illustrate a point. They make you relatable and humanise your argument. 
  • Rhetorical Questions: Questions you don't expect an answer to, but use to make the reader think. 
  • Think: "Isn't it time we took climate change seriously?" Metaphors & Similes: Comparing two unlike things to create a vivid image or explain a complex idea simply. (e.g., "The data was a tidal wave," or "Arguments were as sharp as shards of glass"). 
  • Alliteration: Repeating the same consonant sound which makes a sentence roll of the tounge. 
  • Emotive Language: Choosing words that evoke specific feelings in the reader. Use this sparingly to avoid sounding melodramatic. 
  • Juxtaposition: Placing two contrasting ideas side-by-side to highlight their differences. Repetition: Strategic repetition of key words or phrases for emphasis. Think of Martin Luther King Jr.'s "I have a dream". 
  • Humour: A well-placed joke can ease tension and make you more likeable. But be careful – know your audience! 
  • A Story to Illustrate the Point: The Case of the Dodgy Doughnut Let's say I'm writing a review about a new doughnut shop called "Doughnut Delight". 

Without Literary Devices (Boring!): 

"Doughnut Delight sells doughnuts. The doughnuts are sometimes good and sometimes bad. The service is okay. I might go back." 

Yawn! 

With Literary Devices (Much Better!): 

"Doughnut Delight promised a sugary paradise, a haven for the sweet-toothed pilgrim. But my experience? Well, it was more of a doughnut disaster. The first bite of the 'Chocolate Explosion'? A symphony of disappointment. The chocolate, bitter and betraying, coated a dough so dry, it resembled the Sahara. Was this truly the 'Delight' I had heard whispers of? Or was it a cruel deception? Now, the 'Salted Caramel Swirl' offered a glimmer of hope. The caramel, sweet and sticky, was a welcome reprieve. However, the whole experience left me as confused as a chameleon in a bag of skittles. Will I go back? Perhaps. But Doughnut Delight needs to decide if it wants to be a sugary dream, or a pastry nightmare.

" See the difference? The second review uses: 
  • Metaphor: "Sugary paradise", "Doughnut disaster", "chameleon in a bag of skittles" Emotive language: "bitter and betraying", "cruel deception", "sweet and sticky" 
  • Rhetorical question: "Will I go back?" 
  • Alliteration: "sugary dream" 

It's much more engaging, memorable, and paints a clear picture of my experience for the reader. 

 Tips for Using Literary Devices in Transactional Writing: 
  • Know Your Audience: Tailor your language and devices to who you're writing for. 
  • Don't Overdo It: A sprinkle is good, a deluge is overwhelming. Subtlety is key. 
  • Purposeful Use: Every device should serve a clear purpose – to clarify, emphasise, or engage. 
  • Practice Makes Perfect: Experiment with different devices and see what works best for you. 
  • Read Widely: The more you read, the better you'll become at recognising and using literary devices yourself. 

Make Your Mark! So, there you have it! Don't let transactional writing be a tedious chore. Embrace the power of literary devices, inject some personality, and watch your writing transform from "meh" to "magnificent"! Now go forth and write something amazing! Good luck, you've got this!


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